Denis Villeneuve Week continues with the director’s first feature-length English-language film, Polytechnique (though the film was actually produced in both English and French, I will be reviewing the English film; Blu Ray editions contain both versions, if you’re sufficiently interested). The film is a realistic, formalist reproduction of the events of December 6, 1989, which would come to be known as the École Polytechnique Massacre (aka the Montreal Massacre). Villeneuve treats the subject with the utmost respect, and delivers a stark and beautiful rejection of all doctrines of hate. The trailer below offers a powerful sample of this great film:
Welcome to Denis Villeneuve Week here on Plot and Theme! I have been fascinated by Denis Villeneuve (pronounced, Deh-NEE Vill-NEV) for about the last six months, when Jake Gyllenhaal’s recent resurgence led me to Enemy. Since then, I have devoured everything Villeneuve, and truly believe he is one of the best directors working today – especially if you’re into something a little darker. In celebration of Sicario, which enters wide release on October 2nd and has hooked me since I saw this trailer, I have chosen to review all of Villeneuve’s previous features. We start with a truly weird one: Maelström.