Kubrick

“One Battle After Another”: a Complete Satire of Polarization

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Split image showing two opposing characters from One Battle After Another. On the left, a woman in a military jacket (Perfidia Beverly Hills) speaks tensely into a pay phone, her face half-lit in blue neon. On the right, a stern older man (Colonel Lockjaw) stands behind a chain-link fence under harsh white light, his expression rigid. The contrasting color tones and framing emphasize their ideological opposition and mirror-like symmetry.

Paul Thomas Anderson’s One Battle After Another turns America’s ideological fever into satire— and dares us to see the joke’s on us.

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