There may be no single author in science fiction more persistently misread than Robert A. Heinlein. He is a militarist, a mystic, a libertarian firebrand; he writes novels that venerate duty and others that dissolve it, texts that praise hierarchy and others that work to dismantle it. Starship Troopers is cited by conservative politicians for its advocacy of earned citizenship; The Moon is a Harsh Mistress is direct rebellion. In between, Stranger in a Strange Land was adopted by free-love communes as spiritual scripture. The contradiction seems total. How could one author plausibly inhabit all these roles at once—much less within a single decade?
“Full Metal Jacket”: a Brilliant Dark Vision of Man
Duality, Contradiction, and Oxymoron in Stanley Kubrick’s Full Metal Jacket Stanley Kubrick’s Full Metal Jacket is often described as a film split in two: boot camp and battlefield, Parris Island and Vietnam, order and chaos. The split is real, but runs deeper than plot or structure. The film is built from duality and contradiction at … Read more