The prime-numbered year of 2017 has been a divisive one, which is at least a little ironic. Now that the glass is half of something, it is time to broadcast my 100% correct and 99% meaningless opinions on the Ten Best Films of 2017. I’ve done a few of these Top Ten lists here on Plot and Theme, and I always add commentary to them to keep them from feeling like a Buzzfeed list, but for you William Shakesman fans I will reproduce a brief and witty summary at the very end.
The summer is in full swing, and it is time to update you with the goings-on here at Plot and Theme. The standard formula will apply to this State of the Blog post: we’ll look at the past month, talk a tad about the new movies that are on the horizon, and make outlandish promises about the posts I am going to write this month.
The Cannes Film Festival is in the books, and there are some cool things that happened at the 70th iteration of this super-prestigious festival. This will be a causal post where I touch on a few of the things that interest me and therefore should interest you (because I am very often right). Obviously, I haven’t seen any of these films, so my excitement is completely based on word-of-mouth from the festival and other murmurs. I’ll recount the winners of the awards, then mention the other flicks that have me excited at the very end.
Korean filmmaker Bong Joon-Ho is not subtle when it comes to the themes of his films, but that’s not necessarily a bad thing. Snowpiercer isn’t so much an allegory for class warfare – it is class warfare, just set on the science fiction environment of an ever-moving train. The Host is the venerable monster-movie warning that our careless destruction of the planet will come back to bite us – literally in this case. And so, Okja continues in that same vein. This Netflix exclusive will compete for the Palme d’Or at the 2017 Cannes Film Festival, and then will be available for streaming on June 28th.
Check out the trailer below:
April showers bring May flowers, Mayflowers bring pilgrims, and May itself brings the start of Summer Blockbuster Season, that baffling mixture of excitement and predictable, four-quadrant committeethink. As we touch base at the beginning of this season, I’ll discuss the films that have me stoked for this month (both big and small), talk about a few pieces I have in the works, and generally lay out the plans of Plot and Theme. Not too complicated, but it should at least be fun.
This is going to be a short post to draw attention to the eight screeners from the 2017 Hot Docs Film Festival I was fortunate enough to review over on CinemaAxis. Below, I’ll link to all of the reviews once they’re posted, but for now I’ll just introduce each film and give a quick synopsis.