The summer is in full swing, and it is time to update you with the goings-on here at Plot and Theme. The standard formula will apply to this State of the Blog post: we’ll look at the past month, talk a tad about the new movies that are on the horizon, and make outlandish promises about the posts I am going to write this month.
Korean filmmaker Bong Joon-Ho is not subtle when it comes to the themes of his films, but that’s not necessarily a bad thing. Snowpiercer isn’t so much an allegory for class warfare – it is class warfare, just set on the science fiction environment of an ever-moving train. The Host is the venerable monster-movie warning that our careless destruction of the planet will come back to bite us – literally in this case. And so, Okja continues in that same vein. This Netflix exclusive will compete for the Palme d’Or at the 2017 Cannes Film Festival, and then will be available for streaming on June 28th.
Check out the trailer below:
April showers bring May flowers, Mayflowers bring pilgrims, and May itself brings the start of Summer Blockbuster Season, that baffling mixture of excitement and predictable, four-quadrant committeethink. As we touch base at the beginning of this season, I’ll discuss the films that have me stoked for this month (both big and small), talk about a few pieces I have in the works, and generally lay out the plans of Plot and Theme. Not too complicated, but it should at least be fun.
It’s April, the lion of March has transfigured into a lamb (at least I think that’s how it works), and now the fools have come and gone (I’m sure). All the while, the endless cycle of movie releases continues unabated and I’m here on Plot and Theme to contribute to the confusion with my entirely correct opinions. This month, the blog turns two full years old, I creep close to 300 total posts, and I’ve got some great pieces in the pipeline. We’ll talk about all of that plus some cool new movies to keep your eyes out for in the month of April.
Disney recently released the first teaser trailer for Pixar’s next original feature film, Coco. The teaser introduces us to a world full of music, magic, and spirits centered around Dia de los Muertos. In accordance with standard Pixar protocol, this teaser offers us only a slight glimpse at the characters and story, and instead envelopes the audience in the world of the film. After presenting the teaser, this piece will focus on what we can learn about the aesthetic of the film from the trailer, discuss the creative team behind the film, and flesh out the narrative and potential themes based on other interviews. Here we go:
A pair of off-the-radar film released trailers recently, and both of them appear to offer something interesting for the fan of genre film. Each also, in their own way, use concepts revolving around the afterlife as major plot elements. These films are The Discovery and The Void. This will be a short piece introducing each of these films and their trailers, and offering a few stray observations about what we’re seeing (and what other people have been saying). Here we go!
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