In Avengers: Infinity War, Joe and Anthony Russo accomplish many small miracles on the way towards crafting one of the most interesting films in the Marvel Cinematic Universe (MCU). Though previous iterations of the Flagship Get-Together Movie have buckled under the weight of too many characters with too much to do (Avengers: Age of Ultron and Captain America: Civil War, especially), Infinity War deftly isolates characters into distinct groups, thereby localizing their stories, goals, and actions. Furthermore, though practically every film in the MCU brandishes a makeshift villain, Infinity War finally gives us Thanos, a three-dimensional and fascinating villain with a cabal of sadistic and distinct generals. The action set pieces are all up to the same high standard that we have come to expect from the MCU, and the new interactions between old characters add some nice spice to the film. Avengers: Infinity War shouldn’t work; it should be too big, too busy, and too safe, bursting for the seems with one too many formulaic superhero movie tropes. Instead, it is the perfect distillation of what the MCU should be: fun heroes, terrifying villains, and high stakes.
Pixar is renowned for original storytelling in the realm of animation. Often, the stories spun by these visionaries wonderfully meld style and substance together in a way that please both children and adults. And while the Cars franchise started off in this same vein, the sequel was a clear sub-par cash-grab. It’s easy to see why: merchandise from Cars was one of Disney’s biggest cash cows. You got keep that cow fat, so Cars 3 is the product. The plot, characters, and themes are familiar: anthropomorphic cars trying to win races to prove that they can still win races, with themes of obsolescence, expectation, following dreams, and believing in people (or, in this case, cars). Cars 3 is all of this and exactly nothing else, another lap around the track.
Today the benevolent overlords at Disney™ released the first trailer for Star Wars: The Last Jedi and I feel it is critical that I describe the things that I saw in that trailer. This is so other people that saw things in the trailer can read about the things that I saw and decide if they saw the same things that I saw. Hopefully, discussing this hopelessly commercial product of corporate group-think delivered by a media empire can give me and my readers a fleeting sense of connection in this unfeeling world, and also sell some toys.
When remaking a classic, withstanding the inevitable comparisons requires either flawless execution or inspired novelty. Disney’s latest live-action adaptation has an even greater challenge, as it must compete with two masterpieces: the studio’s own animated feature from 1991, and Jean Cocteau’s magnificent romantic fantasy La Belle et la Bête (1946). And though this iteration of the story pays ample homage to both of these predecessors, minor blemishes and stylistic issues prevent the remake from reaching the same heights. Still, a film should not be judged worthless if it fails to equal titans. Beauty and the Beast does a great deal right; it simply doesn’t replicate the Earth-shattering experience of its ancestors.
Disney recently released the first teaser trailer for Pixar’s next original feature film, Coco. The teaser introduces us to a world full of music, magic, and spirits centered around Dia de los Muertos. In accordance with standard Pixar protocol, this teaser offers us only a slight glimpse at the characters and story, and instead envelopes the audience in the world of the film. After presenting the teaser, this piece will focus on what we can learn about the aesthetic of the film from the trailer, discuss the creative team behind the film, and flesh out the narrative and potential themes based on other interviews. Here we go:
In the biggest news since the last time the title of a Star Wars movie was revealed, the title of the next Star Wars movie has been revealed. Disney’s Star Wars Episode VIII: The Last Jedi – A Star Wars Story promises to be the next best film in the Star Wars saga for the three weeks after its December 15th release. Me, personally, I love the new title. But what can we predict now, 11 months before opening night, with nothing to go on but the title, a red outline, and the phrase, “the next chapter in the Skywalker saga”? Basically everything.