Based on the Agatha Christie mystery novel of the same name, Kenneth Branagh’s Murder on the Orient Express disappoints by relegating the key elements of the mystery genre to mere mundane repetition. All of the hard-boiled fun of Christie’s source material ends up feeling like a bland paint-by-numbers. The movie contains a star-studded cast, with practically every character involved in the whodunit represented through an admirable performance. But for a film that is ostensibly subtle, intriguing, and mysterious, too little respect is paid to the details. The result is a lukewarm mystery where each blasé piece of detection by the legendary Hercule Poirot only makes the ultimate reveal more tired and disappointing.
When remaking a classic, withstanding the inevitable comparisons requires either flawless execution or inspired novelty. Disney’s latest live-action adaptation has an even greater challenge, as it must compete with two masterpieces: the studio’s own animated feature from 1991, and Jean Cocteau’s magnificent romantic fantasy La Belle et la Bête (1946). And though this iteration of the story pays ample homage to both of these predecessors, minor blemishes and stylistic issues prevent the remake from reaching the same heights. Still, a film should not be judged worthless if it fails to equal titans. Beauty and the Beast does a great deal right; it simply doesn’t replicate the Earth-shattering experience of its ancestors.