In my review of Avatar: The Way of Water, I called the film “a three-hour Disney ride.” After Avatar: Fire and Ash, I may have been too generous. Rides have clean geography, dependable turns, and a basic sense of where the vehicle is going. Avatar: Fire and Ash is something stranger: a hundreds-of-millions-of-dollars blockbuster that often seems baffled by the ordinary mechanics of narrative, character, and filmmaking.
First Watch
“A Real Pain” and the Burden of Survival
Jesse Eisenberg’s directorial debut walks us through memory, grief, and the unresolved distance between family members
Late in A Real Pain, the film offers the hallmarks of an emotional climax. The childhood home of a Holocaust survivor, rediscovered by her two American grandsons. The camera lingers, the characters pause, a symbolic gesture is made. And then—nothing. No cathartis. No monologue. Just a stretch of quiet that first feels unresolved, until you realize it isn’t. The silence is the answer.
“Babylon”: Damien Chazelle’s Hollow Ode to Hollywood
I’m not sure if you’re aware of this, but Damien Chazelle likes movies. Babylon, the director’s latest celebration of his own art form, is a monument to the indulgence of early Hollywood, documenting the seamy culture while celebrating the magical products that it produces. The result is an uneven and haphazard slog of over three … Read more
“The Whale” Devastates with a Timeless Look at Choice, Forgiveness, and Love
The Whale fucking destroyed me. With about fifteen minutes to go, I felt the lump forming in my throat. After a tiny plot twist, things started getting blurry. During the climactic scene, the tears started flowing freely, and by the time the credits rolled, I was an absolute mess. I wasn’t the only one, as … Read more
Avatar 2: The Way-off Water
Avatar 2: The Way of Water is a three-hour Disney ride more than an actual film, and it feels as though the creators believe that’s plenty. Characters are drawn broadly and their motivations even more so. Plot elements are convenient, shoe-horned, and repetitious retreads of the first film, at least when they aren’t completely nonsensical. Themes are unchanged from the original, an afterthought at best. This is a movie that is more about the experience of watching it than the actual content of the movie.
“Widows”: a Pulp Fiction with Class
Steve McQueen’s work has always been weighty and dour, but with a distinct sense of purpose. Viewers are probably most familiar with the Best Picture-winning 12 Years a Slave, but McQueen’s other features depict a sex addict (Shame) and the Irish hunger strikes during The Trouble (Hunger). Widows, McQueen’s newest feature shares some of the … Read more
“BlacKKKlansman” and its Multi-layered Performances Pop Off the Screen
Spike Lee’s BlacKKKlansman tells the true story of Ron Stallworth, the first black police officer hired in the Colorado Springs Police Department. Based on Stallworth’s memoir Black Klansman, the film follows the young upstart officer through the racial prejudices of the police department. When he is transferred to the undercover investigations department, Stallworth hatches a … Read more
“They Shall Not Grow Old” and Peter Jackson’s Recreation of the Western Front
They Shall Not Grow Old is a day-in-the-life of the British soldier during World War I. The documentary from Peter Jackson was commissioned by the Imperial War Museums and 14-18 NOW in association with the BBC to celebrate the centennial of Armistice Day. When these groups approached Jackson, they had only one caveat: Jackson must … Read more
Spider-Man: Into the Spiderverse is Magnificent Movie-Making
Spider-Man: Into the Spider-Verse doesn’t sound like it can possibly work. Columbia and Sony Pictures produces an animated Spider-Man film that is not connected to the Marvel Cinematic Universe but instead deals heavily with “the Spider-Verse”, an infinite collection of realities each with their own specific Spider-Person hero. Who does movies that are their own … Read more
Hyper Sci-Fi Action Flick “Upgrade” Will Make You Laugh, Cheer, and Think (kinda)
Leigh Whannell’s Upgrade is a wonderful and devilish little concoction of a film. At its center is Grey Trace (Logan Marshall-Green), an old-fashioned “works with his hands” kind of guy who restores old cars in a near-future where all of the cars drive themselves. After an accident leaves him a quadriplegic, one of his more … Read more
