Hyper Sci-Fi Action Flick “Upgrade” Will Make You Laugh, Cheer, and Think (kinda)

Leigh Whannell’s Upgrade is a wonderful and devilish little concoction of a film. At its center is Grey Trace (Logan Marshall-Green), an old-fashioned “works with his hands” kind of guy who restores old cars in a near-future where all of the cars drive themselves. After an accident leaves him a quadriplegic, one of his more wealthy and influential clients offers to help him by implanting an experimental chip in his brain called STEM that will allow him to walk again.

It works.  And then the chip starts talking to him.

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“Ready Player One” – the Definitive Guide Review

In Ready Player One, in order to fit all the pop culture references, you’re gonna need a bigger boat. Steven Spielberg hovers over a mountain of movies, television shows, video games, and other ephemera of pop culture like so many mashed potatoes, obsessively sculpting them into something that only he can see (a good movie). Like Indiana Jones with snakes, in Ready Player One, it always has to be pop culture references. The film simply isn’t much to phone home about. Schindler’s List.

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Taika Waititi’s “Thor: Ragnarok” Again Shows Marvel is Best with an Artist at the Helm

The Thor franchise may be the most unbalanced in all of the Marvel Cinematic Universe (MCU), home to what is perhaps the worst film in the whole MCU (Thor: The Dark World) as well as one of the stronger and more distinctive origin stories. Counting those two films and the Avengers movies, Thor: Ragnarok would be the fifth appearance of the God of Lightning, at it was entirely possible that the character and the particular comedic tone surrounding him would start to feel a little stale. Fortunately, we have Taika Waititi – a visionary comedic filmmaker perfectly at home playing in the MCU’s ever-expanding sandbox.

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“Kingsman: The Golden Circle” Is the Worst Kind of Sequel – One that Knows it Doesn’t Have to Try

Kingsman: The Golden Circle is the result of “getting the band back together” when the band broke up six months ago and everyone still hates each other so they just re-mix a few songs and release a “Greatest Hits” album. Matthew Vaughn’s Kingsmen: The Secret Service was a sleeper hit when it was released in February of 2015. The film struck the perfect tone, balancing irreverence and absurdity with the clichés of the action spy genre, all the while telling a legitimately interesting story. As a critical darling, once the film broke even financially it was all but assured that a sequel would be made. Kingsman: The Golden Circle is the result – a film as derivative and unimaginative as its predecessor was refreshing.

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“War for the Planet of the Apes” Earns Another Victory for the Rebooted Franchise

Remember how Rise of the Planet of the Apes was a James Franco-laden disaster with John Lithgow wandering around forgetting everything and apes rampaged over the Golden Gate bridge being attacked by police helicopters? How far we’ve come. This Planet of the Apes reboot may be one of the most artistically successful reboots of a beloved franchise in the history of Hollywood, and it is almost entirely on the strength of the final two films – first with 2014’s Dawn of the Planet of the Apes and now with War for the Planet of the Apes.

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“Spider-Man: Homecoming” Does Whatever a Spider Can to Be Unique and Fun

Though he has only a pair of independent films to his name, director Jon Watts (Clown, Cop Car) sure knows his way around a friendly neighborhood Spider-man.  The product of a team-up between Sony and Marvel Studios, Spider-man: Homecoming places the iconic webslinger in high school.  This choice dictates many aspects of the film, from the story and characters all the way down to the sense of humor and the overarching themes of growing into one’s responsibilities.  At the very least, it certainly establishes Watts’s version of Spider-man as different, which is absolutely crucial given that this is the third iteration of Peter Parker in the last 15 years.

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