Kingsman: The Golden Circle is the result of “getting the band back together” when the band broke up six months ago and everyone still hates each other so they just re-mix a few songs and release a “Greatest Hits” album. Matthew Vaughn’s Kingsmen: The Secret Service was a sleeper hit when it was released in February of 2015. The film struck the perfect tone, balancing irreverence and absurdity with the clichés of the action spy genre, all the while telling a legitimately interesting story. As a critical darling, once the film broke even financially it was all but assured that a sequel would be made. Kingsman: The Golden Circle is the result – a film as derivative and unimaginative as its predecessor was refreshing.
Though he has only a pair of independent films to his name, director Jon Watts (Clown, Cop Car) sure knows his way around a friendly neighborhood Spider-man. The product of a team-up between Sony and Marvel Studios, Spider-man: Homecoming places the iconic webslinger in high school. This choice dictates many aspects of the film, from the story and characters all the way down to the sense of humor and the overarching themes of growing into one’s responsibilities. At the very least, it certainly establishes Watts’s version of Spider-man as different, which is absolutely crucial given that this is the third iteration of Peter Parker in the last 15 years.
Very early in Edgar Wright’s Baby Driver, as Doc (Kevin Spacey) sketches out the plans to a heist on a chalkboard, he explains to his crew that the driver “Baby” (Ansel Elgort) has tinnitus and chooses to drown out the constant hum by listening to music. Once he’s done with the obvious exposition, he puts down the chalk and exclaims, “Wow, I drew this entire map while explaining that. I’d say that’s pretty fucking impressive!” Thus Wright places his tongue firmly in-cheek, and we immediately understand the tone of the film: weird, energetic, and not taking itself too seriously.
George and Harold are two fourth graders with a penchant for potty humor, hanging out in their treehouse, and creating their own comic books. The cream of their crop is Captain Underpants, a broad knock-off of Superman, right down to his exoplanetary origin story, bizarre mishmash of superpowers, and proclivity for dressing in – you guessed it – underpants. George and Harold are just a little more to-the-point with their superhero.
Are you re-watching episodes of QI and startling yourself with how often you remember the answers? Do you have a VPN set up to watch 8 Out of 10 Cats? Are you slightly angry that my previous question didn’t conclude with “Does Countdown”? This hackneyed rhetoric is just a way for me to say that if you enjoy British comedy, then Sean Foley’s Mindhorn is definitely for you. Even if you’re not crazy about the Brits and their particular brand of whimsy, you’re likely to find something to enjoy in this weird little farce.
Guardians of the Galaxy was always the most overtly comedic franchise in the Marvel Cinematic Universe (MCU), and Vol. 2 follows in those footsteps. Most films in the MCU employ humor, but none are governed by the success of references, call-backs, meta-humor, and jokes quite like Guardians. As a result, one’s appreciation for this sequel is going to be heavily dependent on whether or not these attempts at humor land. If you feel like some of the jokes are a little forced, are over-reliant on pop culture reference, or attempt to recreate similar gags from the original, then you’re going to find Vol. 2 a little derivative and strained. Otherwise, you’ll have a good time.