Guardians of the Galaxy was always the most overtly comedic franchise in the Marvel Cinematic Universe (MCU), and Vol. 2 follows in those footsteps. Most films in the MCU employ humor, but none are governed by the success of references, call-backs, meta-humor, and jokes quite like Guardians. As a result, one’s appreciation for this sequel is going to be heavily dependent on whether or not these attempts at humor land. If you feel like some of the jokes are a little forced, are over-reliant on pop culture reference, or attempt to recreate similar gags from the original, then you’re going to find Vol. 2 a little derivative and strained. Otherwise, you’ll have a good time.
For a film meant to expand the Marvel Cinematic Universe (MCU) into the novel territory of alternate dimensions and mind-bending magic, Doctor Strange sure does play it safe. Though many of the visuals are fascinating, some are overly show-offy, like an elaborate ornament on an otherwise bland facade. The acting talent and the performances that they deliver are impressive, but they are relied upon to prop up a flimsy story that inadequately introduces us to this new facet of the MCU. Similarly, most of the characters are unbalanced, uneven, and inconsistent – as though the filmmakers were afraid of allowing Dr. Strange to be too much of an asshole. Finally, aside from an innovative and interesting climactic sequence, the plot is about as by-the-numbers as one can imagine. Overall, this is the disquieting flaw of Doctor Strange: the eye-popping visuals are in direct aesthetic conflict with the safeness of the narrative and thematic choices. The result is a reasonable entry into the MCU, but a film which isn’t appreciably better than the average origin story.