I’m not sure if you’re aware of this, but Damien Chazelle likes movies. Babylon, the director’s latest celebration of his own art form, is a monument to the indulgence of early Hollywood, documenting the seamy culture while celebrating the magical products that it produces. The result is an uneven and haphazard slog of over three hours, as we watch what amounts to a fever dream on a truly cinematic scale.
WOULD YOU LIKE TO KNOW MORE?Tag: Margot Robbie
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With Suicide Squad, writer/director David Ayer has accomplished little beyond kicking the can that is the DC Extended Universe (DCEU) down the road another ten months, leaving us all to hope that maybe, just maybe, Wonder Woman will be the first good DCEU film. Between a crowded cast of thin characters, a banal and cookie-cutter plot, and a confused jumble of non-themes and stylistic choices, the film is bereft of quality in almost every sense. Though some top-level performances generate intriguing characters, they are utterly squandered by the surrounding issues and ultimately leave Suicide Squad with a very scattered, up-and-down feel. While it may not be as unintelligible or frenzied as Batman v. Superman, Ayer’s film possesses the greater flaw: a bland story.
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So I definitely found all the fun in the DCCU, and it looks like I was right – it is going to come from the villains. Look no further than the recently released trailer for Suicide Squad, where I finally get the sense that there is more to the DCCU than brooding, gritty darkness. Somehow, the characters that are supposed to be the baddest and meanest have the most time to have fun, joke around, and lighten the mood. That’s not to say there aren’t some really disturbing visuals, though. Have a look:
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Plot and Theme 