Precisely every 23 minutes, the standard length of a half-hour of broadcast network television, Good Night, and Good Luck. is interrupted by a jazz song. This instills George Clooney’s Red Scare historical drama with a distinctly episodic feel, mirroring the drama that unfolds on screen. The story follows newscaster Edward R. Murrow as he and others at CBS confront Senator Joseph McCarthy at the height of his anti-communist witch hunts. Shot in color but corrected to black-and-white, the film returns us to another time where paranoia ruled the nation, and where men capable of capitalizing on it rose to national prominence by fanning the fear. It also offers a biting condemnation of media outlets in general, and especially the corporate nature of television broadcasts.