“Dr. Strangelove” and the Paradox of Absurd Logic

A Year of Masterpieces: The Filmography of Stanley Kubrick

Introduction

Stanley Kubrick’s Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb is a satirical masterpiece.  In this piece, we will discuss the germination of the great film and then detail how the director combines a serious camera (Part I), genuine but exaggerated characters (Part II), and a farcical tone (Part III) into one of the greatest condemnations of the military state of all time.  Kubrick’s aim is simple:  to subvert the grim seriousness of the Cold War by showcasing the absurdities that arise from taking concepts like “mutually assured destruction” and “nuclear deterrence” to their logical conclusions.

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Stanley Kubrick’s “Lolita” – A Most Ambitious Fantasy

The fourth entry in Plot and Theme’s year-long look at the filmography of Stanley Kubrick.  Check out all entries here.


Introduction

In 1962, Stanley Kubrick adapted the Vladimir Nabokov novel Lolita for his sixth feature film.  Though published only 7 years earlier, Nabokov’s novel was already reaching the status of a classic work due to its controversial subject matter, witty wordplay, and themes of erotic fantasy, hebephilia, and sexual predation.  Working with Nabokov on the screenplay, Kubrick’s adaptation faithfully recreates the key aspects of the novel, capturing the sexuality, irony, and tragedy of a man who lusts after a prepubescent girl.

Still shackled by the Hayes Code, Lolita was thought to be unfilmable, and the director himself later expressed that had he known how severe the censors were going to be, he probably wouldn’t have bothered to adapt Lolita.  Fortunately, he did.

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