Stanley Kubrick described his heist film The Killing as his, “first mature work”, and the film boasts many of the director’s eventual hallmarks. Techniques that appear in Kubrick’s later masterpieces can be seen in a nascent form throughout the film, as if Kubrick is exploring the possibilities of his own voice and style. Specifically, The Killing purposely confuses the viewer through keen story structure choices and twists on the heist genre. The result is a disorientation that forwards a theme that trickery, thievery, and crime – even those which are meticulously planned, are doomed to failure.
As I mentioned in my State of the Blog post this month, I am planning a series of in-depth essays on the films of Stanley Kubrick. Near the end of each month, I will publish an essay on one of Kubrick’s films, and I intend these pieces to be worthy of the films that they are analyzing, not mere “reviews”. This will not be a trivial pursuit. And, I acknowledge that I may not be up to the Herculean task. Regardless, these are some of my favorite films, and I hope to enhance my enjoyment of them (and yours!) through analysis and discussion.