The Discovery has all the markings of a potent science fiction parable, but none of the follow-through. The central conceit, that a scientist has discovered irrefutable evidence that an afterlife exists, is simple yet wrought with fascinating consequences. But, as the film attempts to explore its ideas, it is bogged down by poor characters, confusing and unnecessary plot devices, and a banal ending that treads familiar paths, lacks visual storytelling fundamentals, and still confuses. As it stands, The Discovery feels less like a feature film, and more like an episode of Black Mirror – and a weak one at that.