Paul Greengrass’s United 93 is more than a harrowing dramatization of the events of September 11th, 2001. It’s also a profound treatise on the significance of information, and how ignorance leads to irrationality, uncertainty, and fear. This piece will look at three aspects of the film and how each is intimately tied to the availability of information: the plot, the characters, and the themes. The plot is revealed slowly, as a sense of dramatic irony permeates the spectator’s interpretation of the events. Characterization is established by reactions to the inexplicable, and then corresponding responses as more information becomes known. Even the ultimate thematic statements hinge in the treatment information in United 93. Greengrass concludes that information is power – especially in the hands of individuals.
Add another “L” to the campaign of sadness that is The Year of Movies: 2016 Edition. Once again, a film has been released in an attempt o revive and further a long-dormant franchise, and like seemingly every cheap cash-in of this year, Jason Bourne fails to elicit any emotion beyond longing for the original property which it is based upon. This isn’t to say that there are not stirring sequences or solid performances in the film, but there is not a single aspect of this film that was not accomplished better by a previous Bourne film. Paul Greengrass and company certainly do not need to re-invent the wheel, but they should at least drive the car somewhere new.