“The VVitch” Capitalizes on the Style of a Period Piece to Spin a Horrifying Yarn of Yesteryear

Robert Eggers’ horror darling from last year’s Sundance Film Festival begins with an unassuming title card in an archaic script: The VVitch – A New-England Folktale. The simplicity of this title belies the overwhelming terror that will unfold over the brisk 90 minute runtime of the film, yet also masterfully portends the ultimate conclusion. Through a studied accumulation of primary source materials, astounding performances from actors young, old, and animal, and a keen directorial eye, Eggers has reached back into yesteryear and delivered a bone-chilling campfire story in the guise of a period piece. Any audience with the patience – and courage – to indulge in his fantasy will be justly rewarded.

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If “The VVitch” is Half as Scary as Its Trailer, We’re in for Quite the Fright

Earlier this year, the Sundance Film Festival was abuzz with The VVitch (I am totally typing it that way the whole time, so get used to it). The indie horror film sent the critics’ skin crawling throughout the festival, eventually culminating in a Directing Award in the US Dramatic category for Robert Eggers. Since then, the production studio A24 has acquired the film for distribution, and released a trailer earlier this week. It is unnerving and creepy; have a look:

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