Sofia Coppola’s “The Beguiled” Expresses Intrigue with Quiet Sexuality

Sofia Coppola’s The Beguiled, a remake of a 1971 film starring Clint Eastwood, was a bit of a darling at Cannes this year. Coppola took home Best Director at the festival, which was only the second time a woman won the award. The film itself is a peculiar kind of Civil War era drama charged with the flavor of an erotic thriller or mystery. There’s a deep sexuality to the unraveling of the plot, as a single wounded male character navigates a school of isolated and curious women. The result is a tight tale of empowerment and intrigue, presented in a quiet and classical aesthetic.

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“Captain America: Civil War” Scuttles Its Thematic Weight in Favor of Spectacle

As the thirteenth entry in the Marvel Cinematic Universe (MCU), and first of Phase Three, Captain America: Civil War is full of crowd-pleasing moments, but it fails to deliver on these on a thematic level.  Its neutered narrative pulls more punches than its heroes, the villain is more unnecessary and forgettable than the average Marvel fare, and a potentially powerful story line is treated with all the nuance of a Political Science 101 class.  As a comic book action film, it certainly manages to entertain, but it falls far short of any aspirations to be something more than the latest summer popcorn flick.

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