It’s finally time for me to reveal my Top Ten Movies of 2017 here on Plot and Theme. I know, everyone settle down. Now, in previous years this piece has come out sometime around the middle of January, as I hastily throw together a Top Ten list ASAP. Usually, this means that a few films that graced the coastal elites in the latter half of December don’t get consideration because they don’t show in whatever Podunk I am currently populating. By waiting a few months into the next year, I get to add more sweet flicks to my list, plus I was able to watch some of the older films a few more times. It should turn out well.
Tag: Dunkirk
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In Darkest Hour, director Joe Wright and writer Anthony McCarten are both firmly in their wheelhouse. Both men are big on these kinds of historical period pieces, so they certainly know what they are doing here. While it is tempting to consider Darkest Hour a companion piece to Cristopher Nolan’s Dunkirk earlier this year on account of the similar subject matter, it is crucial to recognize that Darkest Hour approaches this story from a more singular perspective, focusing on a kind of character study of the great Winston Churchill instead of a more all-encompassing view of heroism. Fortunately, Gary Oldman turns in one of the greatest transformative performances of his career. Thus, though Darkest Hour is a fine film Gary Oldman is easily its centerpiece.
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In Dunkirk, Christopher Nolan tells three inter-twined stories of differing lengths and at different speeds, showing how the terrors of war and heroic acts associated with it can exist on various time scales. There are instantaneous acts of heroism, the bread and butter of war films, but also more considered, lengthy heroics on day or week-long scales. Nolan ties them all together by interweaving all three timelines into three separate but related stories of the Battle of Dunkirk. This structure is the overwhelming brilliance of Dunkirk, but Nolan also manages to pack each story line with startling action film-making on land, sea, and air. The result is a masterwork of structure, pacing and storytelling, replete with themes of warfare, heroism, and the true meaning of victory.