In Darkest Hour, director Joe Wright and writer Anthony McCarten are both firmly in their wheelhouse. Both men are big on these kinds of historical period pieces, so they certainly know what they are doing here. While it is tempting to consider Darkest Hour a companion piece to Cristopher Nolan’s Dunkirk earlier this year on account of the similar subject matter, it is crucial to recognize that Darkest Hour approaches this story from a more singular perspective, focusing on a kind of character study of the great Winston Churchill instead of a more all-encompassing view of heroism. Fortunately, Gary Oldman turns in one of the greatest transformative performances of his career. Thus, though Darkest Hour is a fine film Gary Oldman is easily its centerpiece.
And the jinn we created before from scorching fire.
– Quran 15:27 “The Rocky Tract”
Symbolism and metaphor are powerful weapons against oppression, and can also illuminate complex and unbearable situations like war and the subjugation of women. Writer-director Babak Anvari’s debut feature Under the Shadow is a intelligent film that takes full advantage of the setting, situation, and culture of Iran in the 1980’s to spin a terrifying supernatural horror film. Among the background of the Iran-Iraq war, the film depicts a woman and her young daughter as Tehran is bombed and a nefarious Jinn takes residence in their apartment building. Though a supernatural horror film on the surface, Under the Shadow also boasts a rich subtext that explores ideas of misogyny, family struggles, and the gloom of wartime.