“Logan” Leverages its Hard-R Rating, Stellar Performances, and Engaging Action To Deliver an Outstanding Wolverine Send-Off

Logan, James Mangold’s conclusion to the Wolverine franchise, dispenses with a safe approach to the comic book genre in favor of careful characterization, genuine emotion, and tactful storytelling.  It is an unabashed hard-R action movie bursting with violence, gore, and harsh language.  But, Mangold and company employ the R-rating towards more than blood and F-bombs (though there’s plenty of each).  By withdrawing the film from the purview of children spectators, Logan is able to tell a more patient and delicate story without compromise.  Instead of a frenetic pace that plays down to the attention span of teenagers and rabid fanpersons, the culmination of the Wolverine trilogy adopts a more practiced approach to super-hero storytelling that rewards on every level and will encourage repeat viewings.

Would You Like to Know More?

Advertisements

“X-Men: Apocalypse” Dooms Itself by Mismanaging Villain

For the third time this summer, it is time to watch a superhero flick where some characters fight other characters for poorly-developed reasons.  In this specific case, it’s the X-Men universe and the film is X-Men:  Apocalypse, named after the all-power and ancient villain of the film.  The eponymous character is central to not only the plot and theme of the film, but ultimately its problems as well.  On a fundamental level, this film fails because it could not appropriately handle the character of Apocalypse, and you can almost feel it buckling under the weight of this Frankenstein’s Monster.  There are lesser problems as well, including some poorly-used characters and a mismanaged tonal consistency, but you can trace nearly every negative back to the big-bad.  Thus, despite introducing intriguing new versions of beloved characters, this is a poor end to the new X-Men trilogy.

Continue reading ““X-Men: Apocalypse” Dooms Itself by Mismanaging Villain”

“Deadpool” is a Self-Conscious Masterpiece of the Comic Book Genre

So first off, sorry to everyone who reads this review. I wanted to make it worthy of the Deadpool movie, but I don’t think that is going to be a reasonable possibility. Regardless, I will press on and gush all over almost everything about this movie in that annoying way that over-excited movie critics do. Hopefully, by the time I am done you’ll be sufficiently bored with my analysis that you’ll go out and see the film for yourself and start annoying your own friends with how good Deadpool is. Circle of life.

Continue reading ““Deadpool” is a Self-Conscious Masterpiece of the Comic Book Genre”

Blog at WordPress.com.

Up ↑

%d bloggers like this: