Film Criticism and Fiction Writing by Derek Jacobs
Derek Jacobs 
I’ve completed the first draft of my second science fiction novel, LANTERN.
I started writing it in December 2023, and over the past two years it grew into something larger and more ambitious than anything I’ve attempted before. At roughly 175,000 words, the full story now exists on the page, from its opening premise to its final consequences. The sandbox is full. A few rough castles are standing. Now comes the work of carving and refinement.
A film that turns America’s ideological fever into satire— and dares us to see the joke’s on us.
Disney’s live-action remakes of original animation began as an intriguing question posed in the language of modern filmmaking. What might it look like to re-stage an animated classic using today’s cinematic tools: digital effects, live-action framing, modern sound? The 2015 Cinderella answered with a polite flourish. It kept the bones of the original but dressed them in new fabric, nodding toward elegance and restraint. It felt like a thoughtful curiosity, charming in its own way, like a balloon released gently into the air.
Late in A Real Pain, the film offers the hallmarks of an emotional climax. The childhood home of a Holocaust survivor, rediscovered by her two American grandsons. The camera lingers, the characters pause, a symbolic gesture is made. And then—nothing. No cathartis. No monologue. Just a stretch of quiet that first feels unresolved, until you realize it isn’t. The silence is the answer.
Follow the development of Project Drake, a new near-future science fiction novel about space elevators, family legacy, and the search for meaning.
As Plot and Theme will be devoting more time to forms of storytelling other than movies, the need for a fresh logo arose, one that could aptly represent this expanded scope. Simplicity was the guiding principle in designing the logo. A clean, uncluttered design is not only visually appealing but also communicates the core values … Read more
This year, I’ve spent most of my writing time editing the manuscript for Viral Agents. In this post today, I’ll walk you through my editing process, making note of the rationale behind each step of the approach. This is still a work in progress, of course, so I will refrain from spoiling anything in the story. Plus, since the novel isn’t actually published yet, I can’t say that this approach has been successful from the perspective of actually producing a work fit and capable for public consumption. But, the process is underway, and I stand by it for now. Let’s get going.
People love lists, and none more than ones subjectively ranking assorted items (preferably related somehow). It is in that spirit that I have compiled my Top Ten Films released in 2022, especially now that I have seen some of the prestige films released near the end of the year. There are still quite a few … Read more
I’m not sure if you’re aware of this, but Damien Chazelle likes movies. Babylon, the director’s latest celebration of his own art form, is a monument to the indulgence of early Hollywood, documenting the seamy culture while celebrating the magical products that it produces. The result is an uneven and haphazard slog of over three … Read more
The Whale fucking destroyed me. With about fifteen minutes to go, I felt the lump forming in my throat. After a tiny plot twist, things started getting blurry. During the climactic scene, the tears started flowing freely, and by the time the credits rolled, I was an absolute mess. I wasn’t the only one, as … Read more