Film Criticism and Fiction Writing by Derek Jacobs
Derek Jacobs 
Introduction Previous Kubrick Essays Stanley Kubrick’s films are so distinct and exceptional that he practically legitimizes whichever genre he decides to work in. Before 2001: A Space Odyssey, science fiction films were mostly dispensable pulp featuring monsters in rubber suits. Like earlier horror masterpieces The Exorcist, Rosemary’s Baby, and Psycho, Stanley Kubrick’s The Shining elevates the … Read more
In Black Panther, director Ryan Coogler (Fruitvale Station, Creed) has crafted a nearly perfect solo film for the eponymous African Superhero. The film has all of the visual appeal, action, and expert world-building that we have come to expect from the Marvel Cinematic Universe (MCU). In addition, Coogler instills the film with superlatives that are … Read more
As promised, here is a quick, play-by-play style recap of last night’s 90th Oscars (AKA: 90 Scars). I’ll comment throughout now that it is the next morning, and I will finish it all up with a neat and tidy summary so that we can all move along with our lives in a timely fashion. I … Read more
The Oscars turn 90 later today (AKA: 900 Scars), and I’ve finally seen every single film nominated in the Best Picture category. So, it is time to reveal the Oscar plans over here at Plot and Theme. Overall, I think this (read: 2017) was a strong year for film, and I am excited to start … Read more
In Dunkirk, Christopher Nolan tells three inter-twined stories of differing lengths and at different speeds, showing how the terrors of war and heroic acts associated with it can exist on various time scales. There are instantaneous acts of heroism, the bread and butter of war films, but also more considered, lengthy heroics on day or … Read more
Like the past works of writer-director Bong Joon Ho (Snowpiercer, The Host), Okja isn’t so much an allegory as it is an outright morality tale. The Korean filmmaker seem intent on tackling each and every woe of modern society, from the danger of radioactive waste (and by extension, the short-sighted profit-seeking of big business) in … Read more
It’s update time here at Plot and Theme, and I plan to run through a whole heap of news and plans going forward. Those of you who read the blog regularly have certainly noticed the reduction of posts over the past few months, as well as a few things that I am behind on delivering. … Read more
There’s an underlying kernel of irony at the center of Star Wars: The Last Jedi. The film is the freshest film in the Star Wars franchise since George Lucas decided to add to the original trilogy. For all its flaws, it pushes the boundaries of the universe in many different directions, intent on being something … Read more
If a committee of Warner Brothers executives got together to work their way through a 300 million dollar paint-by-numbers, it would look like Justice League. With the odds stacked against it, no expectations, and the fate of exactly nothing of importance hanging in the balance, Justice League is still an utter disappointment. The DC Extended Universe … Read more
Based on the Agatha Christie mystery novel of the same name, Kenneth Branagh’s Murder on the Orient Express disappoints by relegating the key elements of the mystery genre to mere mundane repetition. All of the hard-boiled fun of Christie’s source material ends up feeling like a bland paint-by-numbers. The movie contains a star-studded cast, with … Read more