Fable, Allegory, and the Aesthetics of Del Toro Fuel “The Shape of Water”

Guillermo Del Toro is a master of the modern fairy tale. In The Shape of Water, he tells the story of a budding love between a mute woman named Elisa and a captive fish creature. Like the very best of Del Toro, the film blurs the line between reality and fantasy and succeeds as an … Read more

“Pawn Sacrifice”: Bobby Fischer’s Pyrrhic World Chess Championship

The name “Bobby Fischer” is synonymous with high-level chess, even decades after the Brooklyn-born grandmaster won his World Chess Championship match against the reigning champion from the Soviet Union, Boris Spasskey.  Staged during the height of the Cold War, the match was seen by both sides as an opportunity to prove intellectual superiority.  Pawn Sacrifice … Read more

Strong Talent Can’t Elevate the Shoddy “Miss Sloane”

John Madden’s political thriller Miss Sloane is a contrived sledgehammer of a film.  It navigates a complex subject matter from the top of a soapbox, spouting ersatz-Sorkin dialogue at the top of its lungs.  Its near-infallible central character is always the smartest person in the room, except when she’s saved by the latest in a … Read more

In “Arrival”, Denis Villeneuve Delivers a New Hard Science Fiction Touchstone

In Denis Villeneuve’s high-concept science fiction film Arrival, the expert director deftly explores a profoundly different view of reality – all in the guise of an alien invasion story.  Based on the novella Story of Your Life by Ted Chiang, the story is hard science fiction at its greatest, and ponders the challenge and ramifications of communicating with an alien species during first contact.  In what has become a hallmark of Villeneuve’s style, the film boasts a fascinating non-linear storytelling technique that factors heavily into the plot.  Though there are really only four characters of note, each is ably performed by an outstanding actor, with Amy Adams’s performance shining through as something special.  This film takes advantage of its genre perfectly, altering a single idea about language and contemplating the potential ramifications.  It seems as though Denis Villeneuve has been working in science fiction for his entire career; his treatment of Arrival is a deft exploration of the nature of time, language, and communication – both between humans and aliens, and humans and each other.

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