The moments of Blade Runner 2049 pass by too quickly, lost in the next gorgeous shot, meticulous special effect, or confounding mystery. Fluorescent advertisements reflect off of murky puddles at the street level, while the higher classes enjoy the seemingly infinite refraction of a glorious light off of crystalline indoor pools. It’s evident immediately: the world of Blade Runner 2049 is complex, dark, and fascinating – a finely-crafted melding of science fiction and noir filmmaking.
Tag: Denis Villeneuve
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Last week on Plot and Theme we had an entire week devoted to the feature films of Denis Villeneuve, and now we get a nice cherry on top: Sicario. Villeneuve’s seventh feature film stars Emily Blunt, Josh Brolin, and Benicio del Toro, and tells the story of a FBI SWAT agent Kate Macer (Blunt) who is whisked away on a special task force dedicated to hunting down the head of a Mexican drug cartel. The film is comfortable exploring gray areas and dwelling in the nooks and crannies of the legal justice system, but ultimately cannot find any effective answers.
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Denis Villeneuve week nears its end with his only true American film, and the largest budget he’s had to work with to date: the kidnapping mystery/thriller Prisoners. Of all of Villeneuve’s films, this may be the most uneasy, the most challenging to watch, and the one film that is truly unafraid of exploring the depths that humanity can reach at the intersection of desperation and good intention. Its subject matter is particularly challenging for parents, as it primarily deals with the disappearance of a pair of young girls.
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Denis Villeneuve Week – Day 4: “Enemy” (Canada / Spain 2013)
Another day, another crazy Denis Villeneuve film to review. This time it is his first true English-language film, Enemy (as previously mentioned, Polytechnique was filmed in both French and English). Enemy feels most similar to Villeneuve’s early feature Maelström in that it has some amazing peculiarities but overall deals with a very human problem. In this case, it is the duality of man and his struggle to choose between two very different alternatives – both in his life, and his mind.
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Denis Villeneuve Week continues here on Plot and Theme with Incendies, the final foreign language film from the director, and his only film to receive an Oscar nod (Best Foreign Language film in 2010). The film tells the story of twins who receive a cryptic message in their mother’s will: their father and brother are still alive, and the twins must seek them out and deliver letters to them. A circuitous journey through an unnamed Middle Eastern country commences, and as the twins untangle myth from fact amid civil and religious war, the truth of their mother’s life is beyond their wildest dreams – and nightmares.
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Denis Villeneuve Week continues with the director’s first feature-length English-language film, Polytechnique (though the film was actually produced in both English and French, I will be reviewing the English film; Blu Ray editions contain both versions, if you’re sufficiently interested). The film is a realistic, formalist reproduction of the events of December 6, 1989, which would come to be known as the École Polytechnique Massacre (aka the Montreal Massacre). Villeneuve treats the subject with the utmost respect, and delivers a stark and beautiful rejection of all doctrines of hate. The trailer below offers a powerful sample of this great film:
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Welcome to Denis Villeneuve Week here on Plot and Theme! I have been fascinated by Denis Villeneuve (pronounced, Deh-NEE Vill-NEV) for about the last six months, when Jake Gyllenhaal’s recent resurgence led me to Enemy. Since then, I have devoured everything Villeneuve, and truly believe he is one of the best directors working today – especially if you’re into something a little darker. In celebration of Sicario, which enters wide release on October 2nd and has hooked me since I saw this trailer, I have chosen to review all of Villeneuve’s previous features. We start with a truly weird one: Maelström.
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