Film Criticism and Fiction Writing by Derek Jacobs
Ayrton Senna navigated the racetracks of Formula One as Beethoven navigated the symphony. Born in São Paulo in 1960, Senna and his career racing Formula One is the subject of the Asif Kapadia documentary Senna. The film uses archival footage of Senna’s interviews, racing coverage (including on-car cameras), and voice-over interviews from his friends and … Read more
All four previous entries of the franchise use a time-traveling event as the kernel of a larger story, and the best two films (which I don’t even need to name explicitly) relegate this to the very beginning of the first act. Terminator: Genisys limps along its narrative by using time-travel plot elements like a crutch. … Read more
When reacting to the trailer for Joe Dante’s Burying the Ex, I remarked that it could be interesting to use the zombie story as a metaphor for a doomed or stale relationship. This film barrels down that road with fervor, and the result is an awkward on-screen relationship that despite literally decaying, just will not … Read more
Pixar’s fifteenth animated feature film, Inside Out, is inarguably its most conceptual, ambitious, and distinctive; it may also be its greatest. The studio is known for its unique brand of emotional storytelling and blending of humor and heart, but generally the stories follow a familiar narrative structure. Inside Out transcends this trend by offering two … Read more
The revenge genre has experienced a small renaissance of late with films like Taken and John Wick portraying purposeful and expert killers running roughshod through those who have wronged them in some way. The audience is generally encouraged to recognize the protagonist’s ability, and celebrate his or her violence. The low-budget film Blue Ruin, from … Read more
The original Jurassic Park is a modern masterpiece with memorable and developed characters, a tight plot, and it helped usher in the modern use of CGI in blockbuster films, to boot. None of the sequels have ever lived up to the possibilities created by Jurassic Park in terms of story, character, or heart, and sadly … Read more
There is a moment late in the second act of the Brian Wilson biopic Love & Mercy where everyone is celebrating the success of the Good Vibrations single and lyricist Van Dyke Parks is tasked with describing the next project, which Brian wants to call SMiLE. Parks describes it as a mixture of various artists … Read more
Enter the Void is not an easy movie to watch, and that isn’t simply because it contains a startling killing, gratuitous sex, and a horrific car accident which routinely interjects the narrative. When you watch the most recent film from Gaspar Noé (at least until Love is released later this year), you are cast into … Read more
A sequel to a great film has to find a Goldilocks zone between two guaranteed recipes for failure. Should the sequel exploit the success of the original and attempt to re-tell the same story, it will feel derivative and add nothing. This is epitomized by The Hangover sequels. At the other end of the spectrum, … Read more
There is an undercurrent of awkwardness in almost every large-scale disaster movie that is very difficult to shake, and it is especially evident in San Andreas. The movie very badly wants to tell us the story of heroism in the face of abject disaster – and to do that the narrative necessarily focuses on a … Read more