The satire is the most fragile of all the genres. Drama fails or succeeds on the strength of very definite qualities like story, character, and pathos. Comedy has leeway with its execution on account of its casual tone, as even the blackest comedies have a jokey kernel. Strict genre fare or action is even more forgiving: as long as the film hits a few key points, we enjoy the parts that hit, and dismiss the parts that miss (i.e., the recent Mad Max, which is awesome yet fairly bereft of story). But with satire, if certain elements are missing – a unifying vision, a stylistic conceit, or even a single performance – then the product just feels off. So is the case with War Machine, the Netflix film from Brad Pitt’s production company Plan B Entertainment. Though the satirical aspirations of this send-up of the War on Terror are apparent and welcome, there are simply too many missteps.
Though Disney’s live-action adaptations of their traditional animated stories have been a mixed bag so far, Jon Favreau and company have delivered a surprising gem in The Jungle Book. Like other adaptations, this film is certainly a re-make of the original and contains many of the same thematic elements, but some unique nuances add a great deal to the overall quality of the film. Though the movie is not without its faults, it is vastly superior to the animated version from 1967 in almost every way: it has a stronger sense of character development, a more coherent plot-theme, and even sports higher-quality animation. This is hands-down the best of Disney’s recent live-action adaptations.
One of the biggest surprises of Disney’s D23 convention was the trailer for Jon Favreau’s live-action adaptation of The Jungle Book. Finally, we get to see the official trailer for this film, which is essentially what everyone at D23 already saw (though the trailer shown there was slightly different, based on descriptions from people who saw it at D23). Pay close attention to the tone of this trailer, and especially the multiple fades to black, as it makes the film look far darker than the familiar animated feature from the late ‘60s: