Leaning heavily on his music video roots, John Carney has concocted a captivating coming-of-age story in Sing Street. Though populated by a cadre of lesser-known actors, there are solid performances all around, and absolutely wonderful musical pieces. It is tangentially reminiscent of a small-scope Almost Famous, complete with a young man exploring the world of music, but in this case it is as a creator and not as a journalist. Further, Sing Street is much more family-life focused, and there is a decided follow-your-dreams lean to the theme of the film. But the undoubted strength of the film is its employment of music. Carney uses music for everything: characterization, relationship-building, thematic statements, and much, much more. Plus, the pieces are drop-dead fantastic, and the majority of the score is diegetic, which aids the realism of the film. Taken together, it is clear that Sing Street will contend with the very best films of 2016.
“Free Fire” Attempts Farce, Ends Up Boring and Haphazard
In a strange paradox, executing a proper farce demands preternatural planning. Stray but a little from the knife’s edge, and the tone can spiral out of control as the conflicting elements of the film separate like a broken sauce. Ben Wheatley’s Free Fire suffers such a fate, though it isn’t for lack of effort or … Read more