Film Criticism and Fiction Writing by Derek Jacobs
This is another great documentary from Steve James, who also made “Life Itself” and the 30 for 30 on Allen Iverson’s Trial. I was also fortunate enough to interview the director about this film, so look for that in the near future! Review here.
For my 300th post here on Plot and Theme, I decided to update all my readers by explaining the next phase of my blogging, which involves getting the word out that the blog is growing and rewarding readers who support my nonsensical writings.
The Cannes Film Festival is in the books, and there are some cool things that happened at the 70th iteration of this super-prestigious festival. This will be a causal post where I touch on a few of the things that interest me and therefore should interest you (because I am very often right). Obviously, I … Read more
Are you re-watching episodes of QI and startling yourself with how often you remember the answers? Do you have a VPN set up to watch 8 Out of 10 Cats? Are you slightly angry that my previous question didn’t conclude with “Does Countdown”? This hackneyed rhetoric is just a way for me to say that … Read more
The satire is the most fragile of all the genres. Drama fails or succeeds on the strength of very definite qualities like story, character, and pathos. Comedy has leeway with its execution on account of its casual tone, as even the blackest comedies have a jokey kernel. Strict genre fare or action is even more … Read more
A Year of Masterpieces: The Filmography of Stanley Kubrick Introduction Stanley Kubrick’s Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb is a satirical masterpiece. In this piece, we will discuss the germination of the great film and then detail how the director combines a serious camera (Part I), genuine but … Read more
This movie is fantastic! One of my favorite things about getting screeners is being blind-sided by something awesome, and “A Date for Mad Mary” definitely counts!
Here’s a wonderful little Irish flick I got to review as part of TIRFF. Now, it’s showing at Inside Out!
The Alien franchise has been limping along since the early ‘90s, and a covenant with God herself can’t save it from the paucity of original thought on display in Ridley Scott’s latest shade of a film. Alien: Covenant builds a great starting point, but squanders everything near the end of the first act, and it … Read more
