Film Criticism and Fiction Writing by Derek Jacobs
A Year of Masterpieces: The Filmography of Stanley Kubrick Introduction Stanley Kubrick’s Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb is a satirical masterpiece. In this piece, we will discuss the germination of the great film and then detail how the director combines a serious camera (Part I), genuine but … Read more
This movie is fantastic! One of my favorite things about getting screeners is being blind-sided by something awesome, and “A Date for Mad Mary” definitely counts!
Here’s a wonderful little Irish flick I got to review as part of TIRFF. Now, it’s showing at Inside Out!
The Alien franchise has been limping along since the early ‘90s, and a covenant with God herself can’t save it from the paucity of original thought on display in Ridley Scott’s latest shade of a film. Alien: Covenant builds a great starting point, but squanders everything near the end of the first act, and it … Read more
Korean filmmaker Bong Joon-Ho is not subtle when it comes to the themes of his films, but that’s not necessarily a bad thing. Snowpiercer isn’t so much an allegory for class warfare – it is class warfare, just set on the science fiction environment of an ever-moving train. The Host is the venerable monster-movie warning … Read more
The Matrix is replete with allusions to classic philosophical ideas. The plot references Plato’s Cave and the world of forms, Descartes’ First Meditation and the evil demon, and Hilary Putnam’s “brain in a vat” scenario – all ruminations on the nature of reality and the possibility that we only perceive an illusion. The film also … Read more
One of the most enthralling sequences in The Silence of the Lambs is the first meeting between Clarice Starling and Dr. Hannibal Lecter, and it is a masterclass in visual storytelling. This piece will analyze this entire sequence shot-by-shot, explaining the cinematic techniques that director Jonathan Demme and cinematographer Tak Fujimoto use to tell this … Read more
Most years have a few high-quality genre pieces to offer, some years see the release of a genre-defining film and a solid collection of supporting movies, and every now and then there are collisions where two absolute classics are released side-by-side (see: 1968, 1977, and 1982). But, there’s nothing quite like what happened 20 years … Read more
Guardians of the Galaxy was always the most overtly comedic franchise in the Marvel Cinematic Universe (MCU), and Vol. 2 follows in those footsteps. Most films in the MCU employ humor, but none are governed by the success of references, call-backs, meta-humor, and jokes quite like Guardians. As a result, one’s appreciation for this sequel … Read more
