Strong Talent Can’t Elevate the Shoddy “Miss Sloane”

John Madden’s political thriller Miss Sloane is a contrived sledgehammer of a film.  It navigates a complex subject matter from the top of a soapbox, spouting ersatz-Sorkin dialogue at the top of its lungs.  Its near-infallible central character is always the smartest person in the room, except when she’s saved by the latest in a … Read more

“The Lost City of Z”: an Ode to Obsession

There’s a wayward flavor to obsession, a feeling of being swept off one’s feet by some new passion.  In James Gray’s The Lost City of Z, the expedition that began as Percy Fawcett’s chance to restore glory to his family name morphs into a lifelong zeal for exploration an discovery.  Based on the book of … Read more

Stanley Kubrick’s “Lolita” – a Most Ambitious Fantasy

The fourth entry in Plot and Theme’s year-long look at the filmography of Stanley Kubrick.  Check out all entries here. Introduction In 1962, Stanley Kubrick adapted the Vladimir Nabokov novel Lolita for his sixth feature film.  Though published only 7 years earlier, Nabokov’s novel was already reaching the status of a classic work due to … Read more

“Paterson”: Jim Jarmusch’s Ode to Discovering Poetry in the Mundane

Paterson follows a week in the life of Paterson (Adam Driver), a bus driver in Paterson, New Jersey.  Paterson’s life traces a banal routine:  wake up at 6:15 (without an alarm), walk to work, drive a bus, come home to his live-in girlfriend, eat dinner, walk the dog, stop at a bar, have a drink, … Read more

Pablo Larraín’s “Jackie” Hinges on Natalie Portman’s Stellar Performance

No film in recent memory lionizes a performance quite like Pablo Larraín’s Jackie.  The entire film embraces Natalie Portman’s expert depiction of the iconic first lady.  Portman’s performance has a imitative style to it, complete with specific elocution, affect, and emotion – all of which she delivers with a quiet and confident ferocity.  Larraín takes … Read more

“Colossal”: Part Kaiju Flick, Part Exploration of Abuse and Recovery

Writer-director Nacho Vigalondo is no stranger to off-the-wall storytelling; Los cronocrímenes (Timecrimes) may be the best film featuring time-travel ever.  In Colossal, Vigalonda tries his hand at a kaiju movie, but infuses it with his own style.  Vigalondo exploits the genre for allegory and dark comedy, crafting an inventive exploration of indulgence, regret, and self-destruction … Read more

The Devastating Power of Information in “United 93”

Paul Greengrass’s United 93 is more than a harrowing dramatization of the events of September 11th, 2001.  It’s also a profound treatise on the significance of information, and how ignorance leads to irrationality, uncertainty, and fear.  This piece will look at three aspects of the film and how each is intimately tied to the availability … Read more

“Your Name.” and the Winding Path to Now

Is there anything in life more enigmatic than the haphazard paths that lead us into the another’ arms?  Makoto Shinkai’s anime Your Name. (Kimi no na wa) explores these paths by way of a fantastical body-swap comedy.  But, there is a genuine seriousness at the heart of the film that coalesces romance, connectivity, memory, and … Read more

Tim Burton’s “Big Eyes” and the Torture of Dishonesty

There is a superficial idea championed by some movies that dishonesty sells.  Heist films like Hell or High Water or Ocean’s Eleven suggest that a caper can handsomely reward the protagonist, if it’s properly executed.  White lies can tell a person, “exactly what they need to hear” as a plot contrivance for furthering a character’s … Read more

“Train to Busan”: The Best Ethics Course Featuring Zombies

You’d generally forgive a zombie movie for being shallow and uninventive, as long as the story generates the proper tone and mood.  Writer-director Yeon Sang-ho’s Train to Busan deserves commendation for not only nailing the bleakness of and terror of a zombie apocalypse, but for infusing such a story with genuine heart, emotion, and intriguing … Read more