How To Develop Theme: The Perversion of Sex in “Alien”

INTRODUCTION

Sexual interpretations of Ridley Scott’s Alien (1979) abound, but few tie the overt sexuality of the film to its professed objective, which is to be scary.  Alien is a horror film (specifically, a slasher; Ridley Scott excitedly explained the film to his cast as The Texas Chainsaw Massacre in space).  So then, why the sexual imagery and themes?  Sex can be scary.  Even when consensual and enjoyable, it can adopt an air of fear, anxiety, and discomfort.  Scott’s brilliance with Alien and its sexually-charged themes lay in the way it transitions from our quaint hang-ups with sex to the terrifying violence inherent in the act of rape.  Visual symbolism in the film initially reminds us of both male and female sexual anatomy, but transitions piecewise into the aggressive sexuality of the rapist.  As the film proceeds, the male aspects of the sex begin to dominate until the unbridled Xenomorph literally rapes its final victim.  These sexual characteristics serves to disturb the audience in two fashions:  first by suggesting the anxiety and the scariness of the sexual organs and sex itself, and second by perverting sex into a primal violence and forcing the audience to experience it firsthand.

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Star Wars Episode VII: The Force Awakens – Not Mad, Just Disappointed

You can’t really call Star Wars Episode VII– The Force Awakens a bad film with a straight face. The script is entirely serviceable with few logical inconsistencies or plot holes. Almost every character is well-established (Captain Phasma notwithstanding), and the performances are certainly on par with the original trilogy (especially with regards to the leads). Thematically, this is nothing that surprises us: it is the Light side vs. the Dark side, an allegorical simplification of the struggle between good and evil. But, from the get-go, there is a haunting echo: this doesn’t merely remind of the original trilogy, it outright pilfers its structure in hopes of re-capturing its magic.  As plotpoint after familiar plotpoint falls into place, it becomes clear that this new trilogy is just calculated nostalgia.

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