Stanley Kubrick

“Full Metal Jacket”: a Brilliant Dark Vision of Man

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Duality, Contradiction, and Oxymoron in Stanley Kubrick’s Full Metal Jacket Stanley Kubrick’s Full Metal Jacket is often described as a film split in two: boot camp and battlefield, Parris Island and Vietnam, order and chaos. The split is real, but runs deeper than plot or structure. The film is built from duality and contradiction at … Read more

The Immaculate Magic of the World of Barry Lyndon

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The eighth entry in my series, Stanley Kubrick – A Year of Masterpieces. Barry Lyndon is one of Stanley Kubrick’s most overlooked films. Cinephiles and casual fans alike are quick to list a dozen other Kubrick films as a favorite before even considering this film – if they even care for it at all. But, … Read more

“A Clockwork Orange” and the Scary Defense of Free Will

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In A Clockwork Orange, Stanley Kubrick means to make you uncomfortable.  The magic of the film is that it can show terrible things and then making us care about the mind of the man responsible for them.  Kubrick accomplishes this titanic task through three main techniques, each of which will be detailed in this piece:  … Read more

“2001: a Space Odyssey”: The Eye-Opening Beauty of Powerful Cinema

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Introduction It is a sin to write this.  Mr. Stanley Kubrick told me so: 2001 is a nonverbal experience; out of two hours and 19 minutes of film, there are only a little less than 40 minutes of dialog. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the … Read more

“Dr. Strangelove” and the Absurdity of the Politically Powerful

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A Year of Masterpieces: The Filmography of Stanley Kubrick Introduction Stanley Kubrick’s Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb is a satirical masterpiece.  In this piece, we will discuss the germination of the great film and then detail how the director combines a serious camera (Part I), genuine but … Read more

State of the Blog: May 2017

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April showers bring May flowers, Mayflowers bring pilgrims, and May itself brings the start of Summer Blockbuster Season, that baffling mixture of excitement and predictable, four-quadrant committeethink.  As we touch base at the beginning of this season, I’ll discuss the films that have me stoked for this month (both big and small), talk about a … Read more

Stanley Kubrick and “Lolita”: a Most Ambitious Fantasy

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The fourth entry in Plot and Theme’s year-long look at the filmography of Stanley Kubrick.  Check out all entries here. Introduction In 1962, Stanley Kubrick adapted the Vladimir Nabokov novel Lolita for his sixth feature film.  Though published only 7 years earlier, Nabokov’s novel was already reaching the status of a classic work due to … Read more

“Spartacus”: the Three-Headed Triumph of Douglas, Trumbo, and Kubrick

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The third essay in a year-long analysis of the films of Stanley Kubrick.  Check out the schedule and explanation here, where you can also find links to all the completed pieces. Introduction Stanley Kubrick’s Spartacus, starring Kirk Douglas and written by Dalton Trumbo, may be the best Swords-and-Sandals story ever put to film.  The film … Read more

Stanley Kubrick’s “Paths of Glory”, the Politically Powerful, and the Absurdity of War

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The boast of heraldry, the pomp of pow’r,And all that beauty, all that wealth e’er gave,Awaits alike th’ inevitable hour.The paths of glory lead but to the grave. -Thomas Grey, Elegy Written in a Country Churchyard,1751 Stanley Kubrick’s Paths of Glory is often celebrated as the director’s first true masterwork.  Adapting a novel of the … Read more

Dishonesty Doesn’t Pay in Stanley Kubrick’s Innovative Noir “The Killing”

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Stanley Kubrick described his heist film The Killing as his, “first mature work”, and the film boasts many of the director’s eventual hallmarks.  Techniques that appear in Kubrick’s later masterpieces can be seen in a nascent form throughout the film, as if Kubrick is exploring the possibilities of his own voice and style.  Specifically, The Killing purposely confuses the viewer through keen story structure choices and twists on the heist genre.  The result is a disorientation that forwards a theme that trickery, thievery, and crime – even those which are meticulously planned, are doomed to failure.

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