Allegory

Fable, Allegory, and the Aesthetics of Del Toro Fuel “The Shape of Water”

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Guillermo Del Toro is a master of the modern fairy tale. In The Shape of Water, he tells the story of a budding love between a mute woman named Elisa and a captive fish creature. Like the very best of Del Toro, the film blurs the line between reality and fantasy and succeeds as an … Read more

“Okja” Hurls Unwieldy Satire at Anyone in its Sights

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Like the past works of writer-director Bong Joon Ho (Snowpiercer, The Host), Okja isn’t so much an allegory as it is an outright morality tale. The Korean filmmaker seem intent on tackling each and every woe of modern society, from the danger of radioactive waste (and by extension, the short-sighted profit-seeking of big business) in … Read more

“Colossal”: Part Kaiju Flick, Part Exploration of Abuse and Recovery

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Writer-director Nacho Vigalondo is no stranger to off-the-wall storytelling; Los cronocrímenes (Timecrimes) may be the best film featuring time-travel ever.  In Colossal, Vigalonda tries his hand at a kaiju movie, but infuses it with his own style.  Vigalondo exploits the genre for allegory and dark comedy, crafting an inventive exploration of indulgence, regret, and self-destruction … Read more

Jinn, Wartime, and Metaphor in the Amazing “Under the Shadow”

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And the jinn we created before from scorching fire. – Quran 15:27 “The Rocky Tract” Symbolism and metaphor are powerful weapons against oppression, and can also illuminate complex and unbearable situations like war and the subjugation of women.  Writer-director Babak Anvari’s debut feature Under the Shadow is a intelligent film that takes full advantage of … Read more

Jordan Peele’s Horror Masterpiece “Get Out” Expertly Satirizes Suburban Racists

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Writer-director Jordan Peele’s Get Out is a potent and poignant allegory about modern race relations in suburban America.  It is constructed on the skeleton of a slow-burn horror-thriller, with some awkward comedy thrown in for good measure.  Satirical to its very core, Get Out ridicules the WASP-y “post-racism” of the middle-upper class, and suggests that despite protestations to the contrary, this racism is just as nefarious as blatant hatred.  Through a deft use of genre tropes, Peele develops this allegory to its full potency, and the audience reaps the rewards.  As the pieces fall into place, we are eating out of Peele’s hand at every turn and there is only one conclusion:  Get Out is a masterpiece, harshly satiric and thoroughly creepy.

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“Burying the Ex” Dramatizes the Shambling Remains of an Undead Relationship

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When reacting to the trailer for Joe Dante’s Burying the Ex, I remarked that it could be interesting to use the zombie story as a metaphor for a doomed or stale relationship. This film barrels down that road with fervor, and the result is an awkward on-screen relationship that despite literally decaying, just will not … Read more

The Fantastic Journey of Gaspar Noé’s “Enter the Void”

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Enter the Void is not an easy movie to watch, and that isn’t simply because it contains a startling killing, gratuitous sex, and a horrific car accident which routinely interjects the narrative. When you watch the most recent film from Gaspar Noé (at least until Love is released later this year), you are cast into … Read more