Film Criticism and Fiction Writing by Derek Jacobs
Derek Jacobs 
The prime-numbered year of 2017 has been a divisive one, which is at least a little ironic. Now that the glass is half of something, it is time to broadcast my 100% correct and 99% meaningless opinions on the Ten Best Films of 2017. I’ve done a few of these Top Ten lists here on … Read more
The summer is in full swing, and it is time to update you with the goings-on here at Plot and Theme. The standard formula will apply to this State of the Blog post: we’ll look at the past month, talk a tad about the new movies that are on the horizon, and make outlandish promises … Read more
Very early in Edgar Wright’s Baby Driver, as Doc (Kevin Spacey) sketches out the plans to a heist on a chalkboard, he explains to his crew that the driver “Baby” (Ansel Elgort) has tinnitus and chooses to drown out the constant hum by listening to music. Once he’s done with the obvious exposition, he puts … Read more
Introduction It is a sin to write this. Mr. Stanley Kubrick told me so: 2001 is a nonverbal experience; out of two hours and 19 minutes of film, there are only a little less than 40 minutes of dialog. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the … Read more
George and Harold are two fourth graders with a penchant for potty humor, hanging out in their treehouse, and creating their own comic books. The cream of their crop is Captain Underpants, a broad knock-off of Superman, right down to his exoplanetary origin story, bizarre mishmash of superpowers, and proclivity for dressing in – you … Read more
The opening sequence of The Dark Horse depicts Genesis Potini wandering through the rain muttering to himself, intercut with his older brother teaching him the game of chess when they were both children. He stops in a store with a few chessboards set up, and continues his frantic word salad as the shop owners look … Read more
Pixar is renowned for original storytelling in the realm of animation. Often, the stories spun by these visionaries wonderfully meld style and substance together in a way that please both children and adults. And while the Cars franchise started off in this same vein, the sequel was a clear sub-par cash-grab. It’s easy to see … Read more
The name “Bobby Fischer” is synonymous with high-level chess, even decades after the Brooklyn-born grandmaster won his World Chess Championship match against the reigning champion from the Soviet Union, Boris Spasskey. Staged during the height of the Cold War, the match was seen by both sides as an opportunity to prove intellectual superiority. Pawn Sacrifice … Read more
Lucia Aniello’s Rough Night is what happens when you let five raucous friends cut loose during a destination bachelorette party in Miami. All the normal accoutrements are here: beachfront rental property, alcohol-fueled bar crawls, penis-shaped everythings, cocaine, a shredded male stripper, and involuntary manslaughter. Hmm, maybe things got out of hand somewhere . . .
Consistency of tone is essential for a successful psychological horror story. In It Comes at Night, writer-director Trey Edward Shultz establishes an unyielding bleakness that completely permeates the entirety of his post-apocalyptic story. The constant pressure of this mood grows and oppresses the viewer, like an emotional constrictor squeezing all hope and joy from the … Read more