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Ben Affleck to Direct, Co-Write, and Star in Standalone Batman Film
The rumor mill has been churning of late with regards to the standalone Batman film. The expected timeline for new Batman appearances in the DC Cinematics Universe (DCCU) are actually fairly complex, though. Of course, the first look we get at the rebooted Batman with Ben Affleck will come next March 26th with the release of Batman v Superman: Dawn of Justice. Then, in August of 2016, Batman will appear in some fashion in Suicide Squad, but this role is expected to be ancillary. Once we get into 2017 and beyond, we have three announced films: The Justice League Parts One and Two, and an untitled Batman standalone film. Rumors are that the film will simply be titled, “The Batman”, but that has yet to be confirmed. What has been confirmed, though, is that Ben Affleck will not only be in front of the camera for the reboot, but also behind it and in the writers’ room with DC’s Geoff Johns.
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Duncan Jones to Squeeze in Blade Runner Homage, “Mute”
In an Empire exclusive interview at Comic-Con preview night, Duncan Jones revealed that his oft-delayed Indie sci-fi film Mute may finally have its shot. Jones has previously created two of the best science fiction films of the new millennium in 2009’s Moon and 2011’s Source Code. Both of those films were pleasant surprises. Source Code looked very foolish from the trailers, but other time-travelling movies could learn a great deal from how Jones navigates the difficulties with that particular subgenre (I’m looking at you, Terminator: Genisys). And, of course, Moon is a refreshing, feature-length bottle episode starring Sam Rockwell and Kevin Spacey’s voice. It would be a fantastic piece of work from any director – it was Jones’ first film.
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Brad Bird’s “The Iron Giant” to Return to The Big Screen with New Scenes
The Iron Giant was perhaps the last masterpiece of American hand-drawn animation. The film was the directorial debut of Brad Bird, and may be the best entry in his filmography to this date, despite how crazy that sounds. When it was released in 1999, I was not aware of it and missed seeing it in theaters, but it looks like I will be getting a second chance. On September 30th, 2015, The Iron Giant will be shown in select theaters under the title The Iron Giant: Signature Edition with two new scenes added. Soon thereafter, the film will be available for digital purchase in this re-mastered state. Apparently, Warner Bros. is not particularly interested in producing a Blu Ray edition flushed with extras, so this digital release is what we get.
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Empathy is the Strength of Formula One Racing Documentary “Senna”
Ayrton Senna navigated the racetracks of Formula One as Beethoven navigated the symphony. Born in São Paulo in 1960, Senna and his career racing Formula One is the subject of the Asif Kapadia documentary Senna. The film uses archival footage of Senna’s interviews, racing coverage (including on-car cameras), and voice-over interviews from his friends and family to document his ascent through the sport, culminating in multiple World Championships. The strength of Senna lay in its ability to transport the viewer into Ayrton’s head as we ride along with him at over 200 miles per hour. We feel his frustrations, experience his triumphs, and even see through his eyes during tense races. What emerges is a story exploring themes of the weight of immense ability and the inspiration that such ability can provide, all amid the backdrop of heart-stopping, tense racing action and political intrigue.
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“Terminator: Genisys” Obsesses Over Time Travel and Erases Past Glory
All four previous entries of the franchise use a time-traveling event as the kernel of a larger story, and the best two films (which I don’t even need to name explicitly) relegate this to the very beginning of the first act. Terminator: Genisys limps along its narrative by using time-travel plot elements like a crutch. The result is a film without a logical plot, populated by paradoxical characters and foolish plans. Occasionally, things get so muddled and unclear that characters are forced to halt the drama on screen to provide expository dialogue, but even these shoehorned explanations fail to settle the questions that arise. Due to the various temporal contortions of this film, we realize that Terminator: Genisys is not merely a sequel in the Terminator franchise, but a stealth re-boot of the whole storyline. Sadly, the plot of Genisys erases the events of the previous films as though they never happened and leaves this once-great franchise an incoherent husk of its former self.
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Variety Article Discusses the Fight for Gaspar Noé’s “Love”
Today, an article in Variety details the struggle to prevent far-right wing elements of French politics from stamping Gaspar Noé’s Love with an Under-18 rating (our equivalent of NC-17 in the States). The piece is articulate and informative, and likely portends the difficulties that Love will face in other nations as well. If you’re at all interested in discussions of film standards, censorship, the treatment of sexuality in film, or things of that nature, I would suggest you give it a read. I will stay away from recounting the particulars of the story, and instead react to how I anticipate this will affect the latest offering from Noé here in the States. I may hop on an anti-censorship soapbox, as well.
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Star Trek Less “Trek-y”, Guardians of the Galaxy More “Emotional”
Over the last week or so, details regarding a pair of space adventure sequels have started rolling in, and while there isn’t much to interpret as of yet, I do think it is interesting to consider the choices being made by these two franchises. I am speaking, of course, of the Star Trek franchise, and the Guardians of the Galaxy franchise, both of which are set to release films in the next two years (the former in July 2016, the latter in May 2017). It is interesting to consider these franchises side-by-side, as both are basically space operas but differ wildly in terms of tone and execution. And, despite being the more nascent franchise, I am of the opinion that it is the Guardians of the Galaxy franchise which actually has a brighter future – especially with regards to the next entry.
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First US Trailer for “Legend” Focuses on Tom Hardy’s Portrayal of Kray Twins
If you’ll recall, a couple of weeks ago The Martian was moved up over two months for an October 2nd release. There, it will compete with the Robert Zemekis film The Walk and Brian Helgeland’s Legend, starring Tom Hardy (twice). And, while we’ve had a couple of different looks at The Walk (which I always want to call “The Wire” at first – I wonder if that will ever stop), we only got our first full look at Legend late last week with the first official US trailer, and it looks like October 2nd is shaping up to be a spectacular weekend for film fans. Have a viddy:
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A Game of Musical Chairs Set Off by Alicia Vikander’s Casting in “Bourne 5”
This whole week has been a whirlwind of casting news, kicked off by the announcement of the new Spiderman. Again, castings that were supposedly set in stone (and reported upon in the movie news) have proven less solid by the time the ink finally dried. In this case, Alicia Vikander has officially been named the female lead opposite Matt Damon in the fifth film of the Bourne franchise. This casting clears out two other roles which Vikander was reported to be very close to signing on for: The Circle, starring Tom Hanks, and the Assassin’s Creed film with Michael Fassbender and Marion Cotillard. Once Vikander’s name fell from consideration for these roles, the respective producers wasted no time in filling them: Emma Watson will play the role in The Circle, and Ariane Labed has been chosen for the Assassin’s Creed role.
Film Criticism and Fiction Writing by Derek Jacobs
