Long-Form Film Criticism and Fiction Writing by Derek Jacobs
I’m not sure if you’re aware of this, but Damien Chazelle likes movies. Babylon, the director’s latest celebration of his own art form, is a monument to the indulgence of early Hollywood, documenting the seamy culture while celebrating the magical products that it produces. The result is an uneven and haphazard slog of over three … Read more
They Shall Not Grow Old is a day-in-the-life of the British soldier during World War I. The documentary from Peter Jackson was commissioned by the Imperial War Museums and 14-18 NOW in association with the BBC to celebrate the centennial of Armistice Day. When these groups approached Jackson, they had only one caveat: Jackson must … Read more
Steven Spielberg’s latest historical drama The Post is a funny little animal. The film is based on Kay Graham’s decision to publish findings from the classified Pentagon Papers in The Washington Post. Graham, played by best living actor front-runner Meryl Streep, was the first woman publisher of a major newspaper, and the film details her struggle … Read more
In Dunkirk, Christopher Nolan tells three inter-twined stories of differing lengths and at different speeds, showing how the terrors of war and heroic acts associated with it can exist on various time scales. There are instantaneous acts of heroism, the bread and butter of war films, but also more considered, lengthy heroics on day or … Read more
Sofia Coppola’s The Beguiled, a remake of a 1971 film starring Clint Eastwood, was a bit of a darling at Cannes this year. Coppola took home Best Director at the festival, which was only the second time a woman won the award. The film itself is a peculiar kind of Civil War era drama charged … Read more
The name “Bobby Fischer” is synonymous with high-level chess, even decades after the Brooklyn-born grandmaster won his World Chess Championship match against the reigning champion from the Soviet Union, Boris Spasskey. Staged during the height of the Cold War, the match was seen by both sides as an opportunity to prove intellectual superiority. Pawn Sacrifice … Read more
Roger Michell’s adaptation of the Daphne du Maurier novel My Cousin Rachel peddles in interesting camera work, astonishing visuals, and solid performances, but lacks a thorough command of tone. The film feels obsessed with the ambiguity of its central romantic mystery, while at the same time laying on the cinematic clues with an unbelievably heavy … Read more
There’s a wayward flavor to obsession, a feeling of being swept off one’s feet by some new passion. In James Gray’s The Lost City of Z, the expedition that began as Percy Fawcett’s chance to restore glory to his family name morphs into a lifelong zeal for exploration an discovery. Based on the book of … Read more
No film in recent memory lionizes a performance quite like Pablo Larraín’s Jackie. The entire film embraces Natalie Portman’s expert depiction of the iconic first lady. Portman’s performance has a imitative style to it, complete with specific elocution, affect, and emotion – all of which she delivers with a quiet and confident ferocity. Larraín takes … Read more
Paul Greengrass’s United 93 is more than a harrowing dramatization of the events of September 11th, 2001. It’s also a profound treatise on the significance of information, and how ignorance leads to irrationality, uncertainty, and fear. This piece will look at three aspects of the film and how each is intimately tied to the availability … Read more